January 26, 2018 · 3:21 pm
I bought the wonderful poster that in a slightly Photoshopped form features on the cover of Grand Hotels of Egypt from an auction house in New York. I’ve been on its mailing list ever since. The latest online catalogue pinged into my inbox yesterday and one of the items in a forthcoming 25 February sale caught my eye (see above). According to the catalogue description it is a poster promoting the first aviation meet held in Africa, which was organized by Baron Édouard Empain and took place at Heliopolis. This poster doesn’t include the date, but it was 6–13 February 1910. In other words, just seven years after the historic Wright Brothers flight that marked the birth of powered aviation.
For the purpose of the meet an Egyptian Aero Club was created, and the event was also supported by the Automobile Club of Egypt, the Egyptian Tourism Association and the French Ligue National Aérienne. The head of the organising committee was Prince Ahmed Fouad, who would in 1922 become King Fouad I. A five-kilometre course was laid out in the desert, overlooked by two grandstands, and 12 pilots and 18 planes were entered in the competition. The flyers arrived by ship from France. Several had their planes damaged en route. Among the pilots was the Baroness Raymonde de Laroche, real name Élise Deroche, and the first woman ever to enter an aviation meeting. A total prize fund of 212,000 francs was raised for what would be several days of competitions for distance, speed and altitude. One of the events was the Prix Boghos Pacha Nubar, offering 10,000 francs for a flight from Heliopolis around the Cheops pyramid and back.
The organising committee for the meet
One of the flyers and the Heliopolis meet
The official opening day was Sunday 6 February, a perfect day for flying with a clear sky and no wind. Several pilots went up and made test hops. One landing caused a horse to take fright and it ran over a Mr Tarihaki, who had to be taken to hospital by ambulance. Flying was a new and enormous novelty and the first day of the event drew 40,000 people. The following days were a bit hit and miss: at this time the planes were little more than string and canvas, and any bad weather meant they stayed grounded. One day’s flying was cancelled because of a sandstorm, while heavy winds on another day caused the race to the Pyramids to be called off. Mechanical mishaps and crashes – one pilot crashed four times – kept other aircraft grounded but at least there were no deaths (death being a common occupational hazard for early aviators). You can find out more about the meet here.
As for the poster, it was painted by French artist Marguerite Montaut, who was the wife of a famous French automobile illustrator Ernest Montaut. She specialised in aviation subjects, which she sometimes painted under the pseudonym Gamy, an anagram of her nickname Magy. Here’s some more of her work:
The Heliopolis poster is being sold by Poster Auctions International of New York; the estimate is $1,200 to $1,500, which strikes me as very reasonable given its rarity and historical significance, not to mention its beauty.
Filed under Art and artists, Lost Egypt
Tagged as Automobile Club of Egypt, Baron Empain, Baroness Raymonde de Laroche, early aviation, Egyptian Aero Club, Élise Deroche, Ernest Montaut, Gamy, Heliopolis, Marguerite Montaut
January 18, 2018 · 5:01 pm
I was doing an image search online recently for something or other when the cover above came up in the results. I had to have it. It turns out the book was published back in 1988 and is long out of print, but it was easy enough to find a copy on ebay. I did try reading it but I didn’t get very far because, well, sometimes you can judge a book by its cover. Much more interesting is the story behind its author.
Ehren M Ehly was the pseudonym of Egyptian-American author Moreen Le Fleming Ehly. She was born in Heliopolis, Cairo in 1929, spent part of her youth in London, but then moved back to Heliopolis, where she attended St Clare’s College (it still exists). In her late teens she competed in track and field for various sporting clubs. According to her obituary, she was also ‘a noted beauty’ (that’s her, above) and won the Miss Egypt title in 1949 in the presence of King Farouk at the Auberge des Pyramides nightclub. Coincidentally, in the 10 April 1950 edition of Life magazine, in an article titled ‘The Problem King of Egypt’, there is mention of this very contest, in which it says, ‘No sooner had the judges announced their decision than a message was sent over from the king’s table indicating that His Majesty was displeased with the verdict. The judges hastily reversed themselves and awarded the cup to another girl.’ The obituary doesn’t mention whether Ms Ehly was the favoured or disfavoured girl.
Bathing beauties at the Auberge des Pyramides, some time in the 1950s
She met her future husband Robert, a US marine stationed as an embassy guard, at a sporting club in Cairo (the US embassy in Cairo and its marine guards feature in the early pages of Obelisk), however, they were separated when Ehly and her mother fled Egypt during the Black Saturday riots in 1952. They were later reunited in London, where Ehly was working at the venerable Flemings Hotel on Half Moon Street. They married in London in December 1952 but, according to the obituary, encountered bureaucratic problems getting Ehly into the United States. The story goes that the way was smoothed with the help of Ralph Edwards, host of TV gameshow Truth or Consequences, who invited Robert onto the programme to judge a beauty contest and had Ehly surprise him by popping out of an oversized milk carton.
The couple settled in the US and lived for a brief time in Louisiana before settling in California. Ehly worked for many years at Sears & Roebuck, before she quit to take up writing classes. She intended writing romance but somehow wound up turning out horror, possibly influenced by some of the books she had read in her father’s library, notably H Rider Haggard’s She. Obelisk was her first novel, followed shortly by Totem.
She wrote four pulp horror novels in total in the space of around four years before coming to a sudden stop. I can’t help but wish she had written her memoirs instead. She died on 26 December 2012, survived by three children, seven grandchildren and two great-grandchildren.
January 12, 2018 · 9:39 pm
I know we are well past Christmas, but if there is anyone out there who feels they would like to buy me a late gift then I have just thing. Currently being offered on eBay by a seller in Australia is a set of seven solid silver forks bearing the stamp of the Anglo-American Nile Company (the actual wording is ‘ANGLO-AMERICAN LINE OF NILE STEAMERS’). They were likely deployed for dinners aboard the company’s steamers some time in the late 19th or early 20th century. The only trouble is my Ikea knives and spoons are going to look a little pathetic by comparison.
January 5, 2018 · 11:48 pm
The Sir John Soane Museum is one of the most extraordinary places in London. It is not really a museum, it is the former home of a great Georgian architect and collector extraordinaire. It is actually three houses knocked into one – that does it an injustice, the houses are intricately interlinked – and all are filled with a cornucopia of antiques, painting, sculpture and architectural bric-a-brac. Rather than me try to describe it any further, take a look at these photographs:
Right now there is more reason than ever for anyone with an interest in Egypt to visit. Soane’s greatest acquisition was the sarcophagus of the pharaoh Seti I, which is on permanent display in the basement space. Running until April is a temporary exhibition on the background to the sarcophagus. It was removed by Belzoni from Seti I’s tomb in the Valley of the Kings and transported to England where it was first offered to the British Museum. When the museum declined to meet Belzoni’s asking price, Soane stepped forward. Getting the 3,000-year-old relic into the house involved knocking down a sizeable chunk of the back wall. When all was done, and the wall rebuilt, Soane then threw a three-day party to introduce London to his new prize possession.
This exhibition retells the story and also includes some of the wonderful watercolours made by Belzoni and his assistants in Seti’s tomb.
Even if you can’t make it for the exhibition, Sir John Soane’s home is worth a visit any time you are in London. And the sarcophagus will still be there.