It’s called adaptive reuse

Some years back, well before the calamity that has befallen the country, I stayed at the Zenobia hotel at Palmyra in Syria. It has the most extraordinary location, away from the modern town and right on the edge of the Roman ruins. It is possible to sit up in bed and look out of the window of your room at grand colonnades silhouetted against the moonlight. It seems natural that pieces of antiquity should find their way into the hotel, and so in the garden the ancient carved capitals of columns serve as bases for tables. I think I remember something similar in the garden of the Palmyra hotel at Baalbek in Lebanon.

An image kindly sent to me by Susan Allen reminds me it used to be like that in Egypt too. It shows the garden of the Hotel du Nil and, in it, two great stone sarcophagus lids.

The terrace at Shepheard’s used to boast a pair of sphinxes, reputedly from Saqqara, while the Luxor Hotel in Luxor had two statues of Sekhmet in its garden, most likely brought over from Karnak. Probably nobody at the time thought this an inappropriate employment of Egypt’s archaeological heritage. What was contentious, though, and stirred up comment in the press of the time, was architect Henri Favarger’s usage of stones from the Pyramids to build the Mena House hotel. He didn’t deny it, but in an address given to the Royal Institute of British Architects in 1892, claimed it was rubble gathered from the foot of the Pyramids that was collected, and only then with the approval and close supervision of the Egyptian museum authorities.