One of the strands that runs through my book On the Nile is the story of the various steamers that were built, or bought and refitted, especially for use on the Nile. Their heyday stretched from the late 1880s to the outbreak of World War I and then again for a short spell between the wars. Short because the Great Depression that came in the wake of 1929’s Wall Street Crash was very much felt in Egypt. Thomas Cook & Son, which operated the majority of the steamers, saw its Egyptian business drop by almost half as a result of the Crash. The company responded by selling off a large part of its fleet. A few years later the business came to a complete stop with the outbreak of war in North Africa. What remained of Cook’s Nile fleet was requisitioned by the British Army, as were the boats belonging to the Anglo-American Nile Company. Some of the boats were used for transport, several were used as floating officers’ clubs, moored at Cairo. At the time I was writing the book I looked for images of the boats in their new roles but failed to find anything other than the photograph above, which shows South African troops aboard Cook & Son’s Thebes down at Shellal. Then just last week, while searching the Imperial War Museum archive for something else altogether, I came across the images below.
The photo set is captioned “Luxury leave for the Navy in Cairo, 19 May 1943”. The pics show petty officers aboard two houseboats moored beside the Gezira Club, where all the amenities are at the officers’ disposal, including golf and the swimming pool. The boats are the Indiana and the Puritan, which were part of the Anglo-American fleet.
Back in July I posted about my new book, On the Nile (in the Golden Age of Travel) and accompanied it with snapshot of the book’s cover. Well that was just a working cover, a dummy. It was a very fine image but it was based on a poster that we had already included as a full page in Grand Hotels and we felt we’d be shortchanging readers if we were to run it again. More significantly, it shows locals sailing in feluccas, whereas the book is all about foreign visitors cruising the Nile on steamers and dahabiyas, which is something entirely different. We (we being myself and the book’s designer, Gadi Farfour) were able to find several posters depicting steamers, but none of them quite worked as a cover. So we commissioned an illustrator to have a go at coming up with something suitable.
He was Ross Murray, a talented Kiwi who does a lot of work for the magazine-publishing company where I’m editorial director. One of the things he did earlier this year was a set of four illustrations (below) for a story on the romance of travel. One of these, as you can see, depicted a Nile cruise and Gadi and I thought that with some tweaks it would make a perfect cover for our new book.
We sent Ross a photo of the cover of Grand Hotels and asked him to match the style, plus swap the sail for a steamer’s rail and replace the Pyramids (which feature on Grand Hotels) for a temple. This he did, along with plenty of changes of his own, and the resulting image is amazing. I’m sure that anybody who didn’t know otherwise would assume the finished work is an original vintage poster.
The two books look fantastic together.
Right now we’re playing around choosing the correct colour for the spine, back cover and flaps.
These are the absolute final stages in the preparation of the book and it will be going off to print (in China) in about four weeks time. The publication date is now next March. I can’t wait.
It has been quite a while since I posted anything here for which I do apologise. There was good reason. I have been busy writing the follow-up to Grand Hotels, which is to be titled On the Nile in the Golden Age of Travel. It tells the story of tourism on the Nile, from languorous expeditions in dahabiyas to the coming of the steamer, and the heyday of Cook’s Nile services in the early 20th century. I’m pleased to say the manuscript is now with the American University in Cairo Press, which will be publishing the book in Spring 2015. There’s still plenty to do: for the next couple of months I will be working with Gadi Farfour, my wife, on the design of the book (like Grand hotels it will be heavily illustrated in full colour), and then there’s captioning, editor’s corrections, proofing and a whole heap of other things. However, we’re very much on the home straight and life outside of writing now starts to get a look in once again, including, hopefully, more posting here.