Tag Archives: Dalida

Divas: From Um Kolsum to Dalida

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Anyone lucky enough to be in Paris between now and 26 September should get themselves over to the Institute du Monde Arabe, currently staging an exhibition called ‘Divas: D’Oum Kalthoum à Dalida’. The show is a celebration of some of the iconic women singers of the Arab World, including Asmahan, Warda, Fairouz, Dalida and, of course, Um Kolsum. It’s beautifully presented with lots of old magazine covers, records, posters and photographs. There are film clips of trams rattling along Cairo streets filled with men in tarboushes and of café terraces thronged by elegantly dressed couples to set the scene. Plenty of clips from classic movies, too, as the golden age of Egyptian cinema was intimately linked to music. Early displays highlight the achievements of early Arab feminists, including a room with period desk and furniture devoted to Hoda Shaarawi and displays on Rose al-Youssef, but it’s really all about the emotion, the joy and, above all, the glamour, particularly on the exhibition’s upper floor, reached via a processional staircase draped with crimson-red. Up here, in a procession of theatrically spotlit spaces, are dresses and jewellery worn by Um Kolsum, kitschy costumes fashioned for Sabah, and personal items once owned by Warda, along with displays devoted to dancer-actors including Samia Gamal and Tahiyya Carioca. And then there’s the music, which plays constantly, changing from room to room.

 

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The final rooms of the exhibition look at the divas’ influence on a younger generation of artists and musicians. There’s a film by Egyptian photographer Youssef Nabil, who began his career shooting portraits inspired by early Egyptian cinema, and footage of composer Wael Koudaih and visual artist Randa Mirza who together perform as Rayess Bek, sampling music and dialogue from classic Egyptian movies and setting them to contemporary beats.

For anyone who can’t make the exhibition and who speaks French, there s an excellent catalogue, which can always be ordered through Amazon – search for Divas, d’Oum Kalthoum à Dalida. Even if your French isn’t great, it’s worth buying for the images alone.

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Filed under Lost Egypt

Egypt in Paris

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Over the years I’ve been to a number of good exhibitions at the Institut du monde arabe in Paris and last week I went to another. Next November marks 150 years since the opening of the Suez Canal and the Institute has decided to get the celebrations started early with a show called ‘The Epic of the Suez Canal’. It begins with a room dedicated to the grand inauguration party at Port Said. The centrepiece is a large model of the town and canal with the pavilions erected for the occasion; there are further models, notably of Aigle, the ship on which guest of honour, the Empress Eugenie, sailed in the procession through the canal, lots of paintings and one of the dresses worn by Eugenie.

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The exhibition continues by detailing the canals dug in ancient times, illustrated by pharaonic loans from the Louvre, and then documents the various other schemes predating the Suez Canal, before going on to document its construction. Included are maquettes and a watercolour of the monument designed by Frédéric Auguste Bartholdi that was to have stood at the mouth of the canal, but which in a slightly amended form was eventually erected in New York Harbour (I’ve blogged about this before, here).

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It takes the story through into the 20th century with Nasser’s nationalisation of the canal, the tripartite aggression by the Israel, Britain and France, and the 1967 and ’73 wars. It ends by putting you on the bridge of a container ship sailing the length of the canal. It runs until 5 August and is well worth seeing.

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Also on this summer is an exhibition at the Quai Branly, near the Eiffel Tower, called ‘Paintings from Afar’ (Peintures des lointains). It brings together around 200 unseen works from the museum’s collection, largely drawn from the late 18th to mid 20th centuries, illustrating the Western perception of distant lands. Among the pieces on display are more depictions of the Suez Canal, as well as several paintings by Emile Bernard, including ‘Les marchands du Caire’, below. It runs until January 2019.

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If you are in Paris this summer, you could spend a whole week exploring the links between the French capital and Egypt. There are the obvious ones, like the ancient Egyptian treasures in the Louvre and the obelisk on place de la Concorde, but there is plenty more beyond. You might start by searching out the passage du Caire, a covered arcade that runs off rue St Denis, which is filled by textile and garment shops. It exits onto place du Caire where, if you look back, you see a frieze of pharaonic faces decorating the facade.

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Just around the corner are the rues Alexandrie, Abu Qir and du Nil. Opposite the west end of rue du Nil is the Libraire Petit Egypte, a fine little bookshop with a good section of all kinds of books on Egypt. From here it’s not too far to walk to place du Chatelet, where you find the Fontaine du palmier with four huge sphinxes at its base (below). You might then hope on Metro line 4 a few stops to Saint Suplice from where it’s a few minutes walk to rue de Sevres where you find the Fontaine du fellah (below), also known as the Egyptian Fountain, which was erected in 1806 commemorating Napoleon’s short-lived expedition in Egypt.

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Some of those who accompanied Napoleon on that particular campaign are now buried in Pere Lachaise cemetery, where there is no shortage of Egyptian-inspired funerary architecture (below). Personally, I prefer the Montmarte Cemetery where you find a sleek, life-sized figurine of Egyptian diva Dalida (below), which is more fashion mannequin than funerary monument. A short walk away there is also place Dalida, with a well-fondled bust of the singer.

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Finally, you shouldn’t miss the Cinema Louxor, which I have blogged about previously, here. As well as being a fabulous building, it also frequently shows Egyptian films. We’ve seen Chahine’s 1957 comedy Inta Habibi here (the main auditorium here is named for Chahine) and Le Caire confidential, and just the week before we arrived in Paris last month it was showing Sala Abou Seif’s 1956 film Shabab Imra’ah.

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That should keep you busy for a while.

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Filed under Egyptomania