Tag Archives: Egyptian Hotels Ltd

Once Metropolitan, now Cosmopolitan

Cosmopolitan
The Cosmopolitan, scaffolding free, May 2018

Tucked away off Kasr al-Nil Street in Downtown Cairo, the Cosmopolitan has always been an overlooked hotel. It has never featured large on the tourist map, so it has usually been blessedly free of large groups. It boasts a fantastic central location but its amenities have always been limited (and well worn), which meant its rates have been competitive. Instead it has attracted an intriguingly assorted clientele, the sorts of people who are too old for the backpacker joints of Talaat Harb but aren’t prepared to fork out for air-con luxuries of the likes of the Hilton and Sheraton. It’s a place where you would find businessmen from the fringes of Europe, journalists and visiting academics – as well as locals happy to take advantage of the cheap beer in the Kings Bar. Or at least that used to be the case, before the Cosmopolitan closed for restoration last year as part of the larger-scale project to beautify and revitalise the whole Bourse area. Recently the scaffolding that has been wrapped around its façade for many months came down. However, word is that work on the interior is far from complete as the hotel’s owners – EGOTH, the state body in charge of most of Egypt’s hotels – is looking for a tenant to complete the refurb and manage the hotel. I wonder when they do find that outfit if they will decide to retain the hotel’s name. After all, it has changed twice before.

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The Metropolitan, as it was, some time soon after 1929

The Cosmpolitan began life as the Grosvenor Hotel, back in the early 1920s. In 1929, the building’s lease was purchased by Egypt’s premier hotelier Charles Baehler, who did his own refurb and reopened the place in May 1929, renaming the hotel the Metropolitan. Baehler was the chairman of Egyptian Hotels Ltd, which already owned almost every grand hotel in Cairo but there were not as many big spenders around as there had been (and there would be even less when the Great Depression kicked in towards the end of 1929) and the company wanted a smaller hotel with cheaper rooms to cater for the new breed of traveller of more modest means. At some point – and the Cosmopolitan was rarely mentioned in travelogues or the press, so accounting for its precise history is difficult – the hotel underwent another change of name to its current one of the Cosmopolitan.

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208_Cosmopolitan_label

It is impressive that it has survived at all when so many other Cairo hotels haven’t. I’m intrigued to see who comes in to run it and whether they can continue to attract a suitably global and eclectic clientele to justify the hotel’s present name.

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Then and now: the Savoy

Savoy

For the brief 16 years it was open to guests, the Savoy was Cairo’s most aristocratic hotel. It was a third venture for the indefatigable George Nungovich, the earliest of Cairo’s hotel czars (who I’ve blogged about earlier, here).

A palace belonging to Prince Djemil Toussoun didn’t meet requirements and the building and its grounds were bought up by Nungovich. The site was at the heart of the new Ismailia quarter, on Qasr al-Nil Street, overlooking the Rond Point Qasr al-Nil (see map below). Nungovich had the palace pulled down and replaced with a grand new building of three stories topped by a rotunda.

Hotel du Nil 01 map

This he named the Savoy Hotel and it opened on 28 November 1898. It was described at the time as being remarkably modern with a large dining room and smaller restaurant, spacious lounges, smoking rooms, a reading room in ornamental Egyptian style, electric lift and a wide terrace overlooking Qasr al-Nil Street. Each bedroom had a fireplace and new furniture from Waring and Gillow of Oxford Street, London, and there were suites with private bath and toilet on each floor.

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It was aimed at the class of people who might find Shepheard’s and the Grand Continental, then Cairo’s leading hotels, a bit vulgar. High society checking in at the Savoy in its early years included a young Winston Churchill, fresh from his adventures as a war correspondent in South Africa, Sir Benjamin Baker and Sir John Aird, the architect and contractor of the Aswan Dam, then under construction, and African colonialist Cecil Rhodes. When General Kitchener and his officers arrived in Cairo triumphant after victory at the Battle of Omdurman in September 1899, they were honored with a grand banquet on the Savoy’s terrace.

Flags were flown over the hotel whenever a royal was staying. First to be hoisted was the white elephant on red, in respect of the visit of the King of Siam. King Albert of Belgium, however, objected to the practice and demanded the flag be removed or he’d leave. In 1905, when the white-haired, 80-year-old ex-empress Eugénie returned to Egypt 36 years after opening the Suez Canal, she took rooms at the Savoy. King George V and Queen Mary, then Prince and Princess of Wales, stayed on their way back from India a couple of years later.

The Crown Prince of Germany being greeted by the manager of the Savoy, Auguste Wild

The Crown Prince of Germany being greeted by the manager of the Savoy, Auguste Wild

Shortly after the outbreak of World War I, in October 1914, the hotel was taken over by the British Army – as I noted in a previous post, TE Lawrence worked out of an office here from December of that year. When the war ended, the British Government elected to hold on to the hotel and it became a business address for British-owned companies. In 1924 it was sold to Charles Baehler, chief shareholder of Egyptian Hotels Ltd, who tore the building down. He replaced it with a grand commercial and apartment complex that still stands today facing onto what’s now Talaat Harb Square. Ironically, the Baehler Buildings, as they’re known, have themselves now become a totem of modern Downtown’s architectural heritage, cherished by conservationists, who are possibly unaware that the buildings in fact took the place of an establishment of far greater pedigree.

The Baehler Buildings on Talaat Harb Square now occupy the site of the former Savoy

The Baehler Buildings on Talaat Harb Square now occupy the site of the former Savoy

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A hotel for amphibians?

Last month I posted a complete early 20th-century promotional booklet for Shepheard’s hotel. It was put out by Egyptian Hotels Ltd, who at this time owned several major Cairo properties, another of which was the Semiramis.

A riverside location is now almost a perquisite for any five-star Cairo hotel, but when it opened in February 1907, the Semiramis was the first hotel in the Egyptian capital to be built beside the Nile – previously all the hotels had been clustered around the Azbakiya or close by in Downtown. The insightful entrepreneurs behind the project were Franz Josef Bucher-Durrer and Josef Durrant, founders of a hotel chain with properties in their native Switzerland as well as Genoa, Milan and Rome. Unfortunately, Bucher-Durrer died before the new Cairo venture could be completed and just three years after its inauguration his heirs decided to sell the Semiramis to Charles Baehler of Egyptian Hotels Ltd.

It was the most aristocratic of Cairo’s hotels, attracting the highest class of clientele. It had a handsome wide veranda that overlooked the river and, at roof level, accessed by electric lifts, a garden terrace planted with flowers and shrubs, and with a café-restaurant and ‘tea-kiosks’. The roof had views across the city to the Citadel in one direction, and over the Nile to the Pyramids and desert in the other. Even at only four stories, at the time of its opening the Semiramis was the highest hotel in Cairo.

It would be soon after Baehler bought the hotel that the booklet below was published. Note that the text boasts that of the 200 bedrooms, 100 have ensuite bathrooms and lavatories. When London’s Savoy was under construction in the 1880s, its financier D’Oyly Carte also requested one bathroom for every two bedrooms, leading his contractor to ask if Carte was expecting his guests to be amphibious. Note also in the lists of ‘principal’ sights, number 8 includes an ostrich farm at Matarieh (sadly missing from the attractions of modern Cairo). It is also notably more expensive to board servants without their Masters.

 

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More classic Burgers

Last month I blogged about a set of Cairo hotel postcards painted by Swiss artist Willy Friedrich Burger. I was intrigued that he’d choose to paint hotels rather than the usual desert scenes, temples or mosques. Now I know why. Last week, through the magic of eBay, I bought a vintage brochure put out by Egyptian Hotels Ltd. The seller’s description was vague and he posted only photos of the covers, but these were attractive enough that I bid with no idea what was inside. I was delighted to find, then, that the booklet is full of illustrations, and they are all by WF Burger. Included are the images that appear on my postcards. It’s a pretty sure bet that Egyptian Hotels Ltd commissioned Burger to do its booklet then, pleased with the results, put out some of the paintings as cards. Here are the pages in full:

 

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Burger classics

We reproduced the postcard above in Grand Hotels of Egypt. It shows Cairo’s Opera Square seen from one of the terraces of the Continental-Savoy. It dates, I’m guessing, judging from the cars, from some time in the 1930s. Over on the far left is the old Khedivial Opera House, where Verdi’s opera Aida had its world premiere on 24 December 1871, with costumes and accessories designed by Egypt’s Director of Antiquities Auguste Mariette. (Just two months short of the opera’s centenary, on 28 October 1971, the opera house was completely destroyed by a fire.) It’s a lovely little painting, interesting because artists of the time rarely painted the modern city, saving their canvases instead for more picturesque (ie saleable) subjects like ancient temples and medieval mosques. The painter in this case was the Swiss Willy Friedrich Burger (1882-1964), a graphic artist of some talent, responsible for numerous beautiful posters advertising the attractions of his homeland, such as the one below, which sell for a fortune these days at auction.

It was only after Grand Hotels had gone to print that I discovered the Continental-Savoy wasn’t the only hotel Burger painted and that it was, in fact, part of a set. I now have four more Burger cards and they are all equally lovely. All employ the same dusky, Cairo-sunset palette of pinks and purples. The Semiramis card (top one, below) is the only representation I’ve ever seen of that old hotel’s Nile terrace. The really intriguing card though is the one below it, which unlike the others (the third card shows the Moorish Hall at Shepheard’s, the bottom the pool at the Grand Hotel Helwan) is not a Cairo hotel. It is the view of the Dormition Abbey at Mount Zion from the King David Hotel in Jerusalem. Why include a Jerusalem hotel in a set of postcards showing Cairo hotels? Because the postcards were put out by Egyptian Hotels Ltd, owned by Charles Baehler, which in 1929 extended its activities into Palestine with the building of the King David. At what point the King David ceased being owned by an Egyptian company I don’t know, but it’s pretty unlikely this arrangement extended beyond 1948 and the creation of Israel. If anybody knows more, I’d love to hear from you.

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Filed under Art and artists, Memorabilia